DE,NOW Reviews DS,inserter SP,C:\Users\Rhys\Documents\teletext\P440-Now.tti PN,44001 SC,0001 PS,C000 RE,0 OL,0,XXXXXXXXTEEFAX mpp DAY dd MTH C hh:nn.ss OL,1,R~k4~k4hj5 (l0n= j5(l0x$n= S jd =0 OL,2,Rj5oz%ozz%p n{5j5 j5n{5{%j5000Sf; (s% OL,3,R`````````ba```````````````````````````` OL,4, 1/2 OL,5,CSO WHAT'S THIS ALL ABOUT? OL,6,FI'm reviewing the last track on every OL,7,Falbum in the NOW That's What I Call OL,8,FMusic! series. OL,10,CFOR CRYING OUT LOUD, WHY? OL,11,FIn an age of instant playlists and OL,12,FSpotify, you might think the OL,13,Fcompilation album dead, but they're OL,14,Fresilient things - cropping up in OL,15,Fsupermarkets, petrol stations and even OL,16,Frecord shops. Why not, then, strike a OL,17,Fblow for curation and look at the OL,18,Fgrandaddy of them all? NOW compilations OL,19,Fstill pack a cultural punch, out- OL,20,Fselling most other albums each year. OL,21,FSo what about the art of creating them? OL,23,D]C NOW reviews: p421 OL,24,ANOW reviews BNew Digi!C EventsF Archive FL,441,470,800,200,f,100 PN,44002 SC,0002 PS,C000 RE,0 OL,0,XXXXXXXXTEEFAX mpp DAY dd MTH C hh:nn.ss OL,1,R~k4~k4hj5 (l0n= j5(l0x$n= S jd =0 OL,2,Rj5oz%ozz%p n{5j5 j5n{5{%j5000Sf; (s% OL,3,R`````````ba```````````````````````````` OL,4, 2/2 OL,5,CSO YOU'RE REVIEWING... THEELASTCTRACK? OL,6,FThat's it. See, it's not difficult to OL,7,Fstart a compilation. You need something OL,8,Fbig, bombastic, ideally a recent Number OL,9,F1. Probably Queen, to be honest. But OL,10,Ffinishing it? Hmm. Do you go for a pop OL,11,Fgem? Opt for classic rock? Or maybe, OL,12,Fgiven there's nothing to lose at this OL,13,Fstage, an experimental or novelty hit? OL,14,FAs we'll see, NOW goes for them all in OL,15,Fturn, which makes the last tracks on OL,16,Fthe albums far more fascinating and OL,17,Fvaried than the first ones. OL,19,FSo let's skip to the end and see what OL,20,FNOW has to offer the diligent. Hold on OL,21,Fto your headphones... OL,23,D]C NOW reviews: p421 OL,24,ANOW reviews BNew Digi!C EventsF Archive FL,421,470,800,200,f,100